logo arlima

The York mystery plays

Bibliographie

Titre: 
Date:XIVe au XVIe siècles
Langue:Anglais
Genre:Mystère
Forme:Vers
Contenu:Cycle de 48 mystères joués à York du XIVe au XVIe siècles.
Incipit: 
Explicit: 
Manuscrits
  1. London, British Library, Additional, 35290 [⇛ Description]
Éditions anciennes
Éditions modernes
  • York Plays: The Plays Performed by the Crafts or Mysteries of York on the Day of Corpus Christi in the 14th, 15th, and 16th Centuries, now first printed from the unique manuscript in the library of Lord Ashburnham, edited with introduction and glossary by Lucy Toulmin Smith, Oxford, Clarendon Press, 1885, lxxix + 557 p. [GB] [IA: ex. 1, ex. 2, ex. 3]
    Réimpression:
    • New York, Russell and Russell, 1963
  • English Miracle Plays, Moralities and Interludes: Specimens of the Pre-Elizabethan Drama, edited with an introduction, notes and glossary. Second edition, Oxford, Clarendon Press, 1895, 250 p.
  • English Nativity Plays, edited with introduction, notes, and glossary by Samuel B. Hemingway, New York, Holt (Yale Studies in English, 38), 1909, [v] + xlviii + 319 p. [HT] [IA: ex. 1, ex. 2]
    Réimpression:
    • English Nativity Plays, edited with introduction, notes, and glossary by Samuel B. Hemingway, New York, Russell and Russell, 1964, [v] + xlviii + 319 p. [IA]
  • A Literary Middle English Reader, edited by Albert Stanburrough Cook, Boston etc., Ginn, 1915, xxviii + 554 p. (ici p. 518-523) [IA: ex. 1, ex. 2]
    Édition d'un extrait.
  • The York Plays, edited by Richard Beadle, London, Arnold (York Medieval Texts. Second series), 1982, 537 p. [www]
  • The York Play: a facsimile of British Library MS Additional 35290, together with a facsimile of the Ordo Paginarum section of the A/Y memorandum Book. Introduction by Richard Beadle and Peter Meredith, and a note on the music by Richard Rastall, Leeds, University of Leeds School of English (Leeds Texts and Monographs, Medieval Drama Facsimiles, 7), 1983.
  • The York Plays: a critical edition of the York Corpus Christi Plays as recorded in British Library Additional MS 35290, edited by Richard Beadle, Oxford et New York, Oxford University Press for the Early English Text Society (Early English Text Society. Supplementary Series, 23-24), 2009-2013, 2 t.
  • Drama from the Middle Ages to the Early Twentieth Century: An Anthology of Plays with Old Spelling, edited by Christopher J. Wheatley, Washington, D.C., The Catholic University of America Press, 2016, xv + 1006 p. (ici p. 48-56)
    Édition d'un extrait.
  • The York Corpus Christi Play: selected pageants edited by Christina Fitzgerald, Peterborough, Broadview Press, 2018, 405 p.
    Compte rendu: Emma Lipton, dans The Medieval Review, 19.06.14, 2019. [www]
Traductions modernes
  • en anglais:
    • The York Cycle of Mystery Plays: a shorter version of the ancient cycle by J. S. Purvis, London, SPCK, 1951.
    • The York Cycle of Mystery Plays: A Complete Version, éd. J. S. Purvis, London, SPCK, 1957.
    • The Fall and Redemption of Man, selected, arranged and rendered into modern English from the Chester, Coventry, Lincoln, Norwich, Wakefield and York mystery plays by John Bowen, London, Faber, 1968, 112 p.
    • York Mystery Plays: a selection in modern spelling by Richard Beadle and Pamela M. King, Oxford, Clarendon Press, 1984.
    • The York Plays: a modernization by Chester N. Scoville and Kimberley M. Yates, Toronto, 2003. [www]
Études
  • Beadle, Richard, « Verbal texture and wordplay in the York Cycle », Early Theatre, 3, 2000, p. 167-184.
  • Beadle, Richard, et Alan J. Fletcher, éd., The Cambridge Companion to Medieval English Theatre, Cambridge, Cambridge University Press, 2e éd., 2008, xxi + 398 p.
  • Beckwith, Sarah, Signifying God: Social Relation and Symbolic Act in the York Corpus Christi Plays, Chicago, University of Chicago Press, 2003.
  • Brawer, Robert A., « The characterization of Pilate in the York Cycle Play », Studies in Philology, 69:3, 1972, p. 289-303. [jstor.org]
  • Cawley, A. C., « Thoresby and later owners of the manuscript of the York Plays (BL Additional MS 35290) », Leeds Studies in English, n. s., 11, 1980, p. 74-89.
  • Clark, Eleanor Grace, « The York Plays and the Gospel of Nichodemus », Publications of the Modern Language Association of America, 43:1, 1928, p. 153-161. DOI: 10.2307/457691
  • Coffman, George R., « A plea for the study of the Corpus Christi Plays as drama », Studies in Philology, 26, 1929, p. 411-424.
  • Coletti, Theresa, « Purity and danger: the paradox of Mary's body and the en-gendering of the infancy narrative in the English mystery cycles », Feminist Approaches to the Body in Medieval Literature, éd. Linda Lomperis et Sarah Stanbury, Philadelphia, University of Pennsylvania Press (New Cultural Studies), 1993, p. 65-95. [IA]
    Réimpression:
    • 1994
  • Craigie, W. A., « The Gospel of Nicodemus and the York Mystery Plays », An English Miscellany Presented to Dr. Furnivall in Honour of his Seventy-Fifth Birthday, Oxford, Clarendon Press, 1901, p. 52-61. [GB] [IA]
  • Dane, Joseph A., Abstractions of Evidence in the Study of Manuscripts and Early Printed Books, Farnham, Ashgate, 2009, viii + 176 p.
  • Davidson, Charles, « Studies in the English mystery plays », Transactions of the Connecticut Academy of Arts and Sciences, 9, 1892.
  • Epp, Garrett P. J., « Passion, pomp and parody: alliteration in the York Plays », Medieval English Theatre, 11:1, 1989, p. 150-161.
  • Evans, Ruth, « Signs of the body: gender, sexuality and space in York and the York Cycle », Women's Space, Patronage, Place, and Gender in the Medieval Church, éd. Virginia Chieffo Raguin et Sarah Stanbury Albany: State University of New York Press, 2005, p. 23-45.
  • Fitzgerald, Christina M., The Drama of Masculinity and Medieval English Guild Culture, New York, Palgrave Macmillan (The New Middle Ages), 2007, xiii + 214 p.
    Compte rendu: Roger A. Ladd, dans The Medieval Review, 09.04.03. * [TMR]
  • Frank, Grace, « On the relation between the York and Towneley plays », Publications of the Modern Language Association of America, 44:1, 1929, p. 313-319. DOI: 10.2307/457683
  • Hohlfeld, Alex., « Die altenglischen Kollektivmisterien, unter besonderer Berücksichtigung des Verhältnisses der York- und Towneley-Spiele », Anglia, 11, 1889, p. 219-310. [DZ] [GB] [HT] [IA: ex. 1, ex. 2]
  • Holthausen, F., « Zur Textkritik der York Plays », Philologische Studien. Festgabe für Eduard Sievers zum 1. Oktober 1896, Halle a. S., Niemeyer, 1896, p. 30-37. [GB] [IA]
  • Ingram, Jill P., Festive Enterprise: The Business of Drama in Medieval and Renaissance England, Notre Dame, University of Notre Dame Press (ReFormations), 2021, vii + 245 p.
    Compte rendu:
  • Johnston, Alexandra F., « The word made flesh: Augustinian elements in the York Cycle », The Centre and its Compass: Studies in Medieval Literature in Honor of Professor John Leyerle, éd. Robert A. Taylor, James F. Burke, Patricia J. Eberle, Ian Lancashire et Brian S. Merrilees, Kalamazoo, Western Michigan University Press, (Studies in Medieval Culture, 33), 1993, p. 225-246.
  • Khoury, Richard et Douglas W. Hayes, « Alliteration and character focus in the York Plays », Digital Medievalist, 10, 2015, s. p. [www]
  • Kolve, V. A., The Play Called Corpus Christi, Stanford, 1966.
  • Lyle, Marie C., « The original identity of the York and Towneley cycles–a rejoinder », Publications of the Modern Language Association of America, 44:1, 1929, p. 319-328. DOI: 10.2307/457684
  • McNeir, Waldo F., « The Corpus Christi Passion plays as dramatic art », Studies in Philology, 48:3, 1951, p. 601-628. [jstor.org]
  • Nissé, Ruth, « Staged interpretations: civic rhetoric and lollard politics in the York Plays », Journal of Medieval and Early Modern Studies, 28, 1998, p. 427-452.
  • Reese, Jesse Byers, « Alliterative verse in the York Cycle », Studies in Philology, 48:3, 1951, p. 639-668. [jstor.org]
  • Robinson, J. W., « The art of the York realist », Modern Philology, 60:4, 1962-1963, p. 241-251. [jstor.org]
  • Robinson, J. W., Studies in Fifteenth-Century Stagecraft, Kalamazoo, Medieval Institute Publications, Western Michigan University, Western Michigan University (Early Art, Drama, and Music Monograph Series, 14), 1991, xiv + 246 p. + [16] p. de pl.
  • Rogerson, Margaret, éd., The York Mystery Plays: Performance in the City, Woodbridge, York Medieval Press, 2011, xiv + 248 p.
  • Russell, Jeffrey Burton, Lucifer: the Devil in the Middle Ages, Ithaca et London, Cornell University Press, 1984, 356 p. [IA: ex. 1, ex. 2]
    Traduction:
    • Russell, Jeffrey Burton, Il diavolo nel medioevo, Roma, Laterza, 1987, 369 p.
  • Taylor, George C., « The relation of the English Corpus Christi Play to the Middle English religious lyric », Modern Philology, 5:1, 1907-1908, p. 1-38. [Gallica] [GB] [HT] [IA]
  • Taylor, Jerome, « The dramatic structure of the Middle English Corpus Christi, or cycle, plays », Medieval English Drama: Essays Critical and Contextual, éd. Jerome Taylor et Alan H. Nelson, Chicago et London, University of Chicago Press, 1972, p. 148-156.
  • Wall, Carolyn, « The apocryphal and historical backgrounds of "The appearance of our lady to Thomas" (Play XLVI of the York Cycle) », Mediaeval Studies, 32, 1970, p. 172-192.
  • Withington, Robert, « The Corpus Christi Plays as drama », Studies in Philology, 27, 1930, p. 579.
Répertoires bibliographiques
Permalien: https://arlima.net/no/3242


Voir aussi:
> Wikidata: Q2516416
Creative Commons License
Cette notice est mise à disposition en vertu d'un contrat Creative Commons.
Rédaction: Laurent Brun
Dernière mise à jour: 12 décembre 2023

Signaler une erreur ou une omission:

Courriel  Courriel

Mastodon    Facebook    Twitter