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Théâtre anglais du Moyen Âge

Genres théâtraux

Bibliographie

  • Répertoires bibliographiques
    • DuBruck, Edelgard E., « The current state of research on late-medieval drama: 2004–2005: survey, bibliography and reviews », Fifteenth-Century Studies, 31, 2005, p. 1-30.
  • Recueils
    • English Nativity Plays, edited with introduction, notes, and glossary by Samuel B. Hemingway, New York, Holt (Yale Studies in English, 38), 1909, [v] + xlviii + 319 p. [HT] [IA: ex. 1, ex. 2]
      Réimpression:
      • English Nativity Plays, edited with introduction, notes, and glossary by Samuel B. Hemingway, New York, Russell and Russell, 1964, [v] + xlviii + 319 p. [IA]
    • The Fall and Redemption of Man. Selected, arranged and rendered into modern English from the Chester, Coventry, Lincoln, Norwich, Wakefield and York mystery plays by John Bowen, London, Faber, 1968, 112 p.
    • Drama from the Middle Ages to the Early Twentieth Century: An Anthology of Plays with Old Spelling, edited by Christopher J. Wheatley, Washington, D.C., The Catholic University of America Press, 2016, xv + 1006 p.
  • Études

    • Bates, Katharine Lee, The English Religious Drama, New York, 1893.
    • Beadle, Richard, éd., The Cambridge Companion to Medieval English Theatre, Cambridge, Cambridge University Press, 1994.
    • Black, Daisy, Play Time: Gender, Anti-Semitism and Temporality in Medieval Biblical Drama, Manchester, Manchester University Press, 2020, xii + 234 p.
      Compte rendu: John T. Sebastian, dans The Medieval Review, 21.10.07, 2021. [www]
    • Campbell, Eva M., Satire in the Early English Drama, 2nd ed., Columbus (Ohio), Heer, 1974.
    • Campbell, Thomas, « Liturgy and drama: recent approaches to medieval theatre », Theatre Journal, 33, 1981, p. 289-301.
    • Clopper, Lawrence M., Drama, Play, and Game: English Festive Culture in the Medieval and Early Modern Period, Chicago et London, University of Chicago Press, 2001, xi + 343 p.
    • Craig, Hardin, English Religious Drama of the Middle Ages, Oxford, Oxford University Press, 1955.
    • Crane, Christopher, « Superior incongruity: derisive and sympathetic comedy in Middle English drama and homiletic exempla », Medieval English Comedy, éd. Sandra M. Hordis et Paul Hardwick, Turnhout, Brepols, 2007, p. 31-60.
    • del Villar, Mary, « Some approaches to the medieval English saints' play », RQRD, 15-16, 1972-1973, p. 83-91.
    • Davidson, Charles, « Studies in the English mystery plays », Transactions of the Connecticut Academy of Arts and Sciences, 9, 1892-1895, p. 271.
    • Dennis, Valerie Ann, The Divine is in the Details: Changing Representations of God in Medieval and Early Modern English Drama, Ph. D. dissertation, University of California, Davis, 2012, vii + 243 p. [PQ]
    • Dunlop, Fiona S., The Late Medieval Interlude: The Drama of Youth and Aristocratic Masculinity, York, York Medieval Press, 2007, viii + 141 p.
      Compte rendu: John T. Sebastian, dans The Medieval Review, 08.06.22, 2008. [www]
    • Emmerson, Richard K., éd., Approches to Teaching Medieval English Drama, New York, MLA Press (Approaches to Teaching World Literature, 29), 1990.
    • Enders, Jody, The Medieval Theater of Cruelty, Ithaca, Cornell University Press, 1999.
    • Fitzgerald, Christina, The Drama of Masculinity and Medieval English Guild Culture, New York, Palgrave, 2007.
    • Fries, Maureen, « The evolution of Eve in medieval French and English religious drama », Studies in Philology, 99:1, 2002, p. 1-16. [jstor.org]
    • Gardiner, Harold C., Mysteries' End: An Investigation of the Last Days of the Medieval Religious Stage, New Haven, Yale University Press, 1946.
    • Gibson, Gail McMurray, The Theater of Devotion: East Anglian Drama and Society in the Late Middle Ages, Chicago, University of Chicago Press, 1989. — Réimpr.: 1995.
    • Greg, Walter Wilson, « Bibliographical and textual problems of the English miracle plays », The Library, 3e s., 5, 1914.
    • Gusick, Barbara I., « Christ's healing of the lame man in the York Cycle's Entry into Jerusalem: interpretive challenges for the newly healed », Fifteenth-Century Studies, 31, 2005, p. 80-105.
    • Hill-Vásquez, Heather, Sacred Players: The Politics of Response in the Middle English Religious Drama, Washington, Catholic University of America Press, 2007, x + 231 p.
      Compte rendu: Laura Iseppi, dans The Medieval Review, 08.05.10. [www]
    • Hussey, S. S., « "How many Herods in the Middle English drama? », Neophilologus, 48, 1964, p. 252-259.
    • Ingram, R., « The use of music in English miracle plays », Anglia, 75, 1957, p. 55-76.
    • Lascombes, André, « Donner à voir et à entendre au Moyen Âge: le cas du théâtre anglais », Théâtre et révélation. Donner à voir et à entendre au Moyen Âge. Hommage à Jean-Pierre Bordier, éd. Catherine Croizy-Naquet, Stéphanie Le Briz-Orgeur et Jean-René Valette, Paris, Champion (Nouvelle bibliothèque du Moyen Âge, 121), 2017, p. 201-220.
    • McGavin, John, « Performing communities: civic religious drama », The Oxford Handbook of Medieval Literature in English, éd. Elaine Treharne et Greg Walker, Oxford, Oxford University Press, 2010, p. 200-220.
    • Mello, M. Barbara, From the Hellmouth to the Witch's Cauldron: Cooking and Feeding Evil on the Early Modern Stage, Ph. D. dissertation, University of Southern California, 2012, ix + 169 p. [PQ]
    • Meredith, Peter, The Practicalities of Early English Performance: Manuscripts, Records, and Staging. Shifting Paradigms in Early English Drama Studies, éd. John Marshall, London et New York, Routledge et Taylor and Francis (Variorum Collected Studies Series), 2018, xvii + 362 p. DOI: 10.4324/9781351266048
    • Myers, Walters, « Typology and the audience of the English cycle plays », Typology and English Medieval Literature, éd. Hugh T. Keenan, New York, AMS Press, 1992, p. 261-274.
    • Peacock, Matthew, « Towneley, Widkirk, or Wakefield Plays? », Yorkshire Archaelogical Journal, 15, 1898-1899, p. 94-103.
    • Potter, Ursula A., The Unruly Womb in Early Modern English Drama: Plotting Women's Biology on the Stage, Kalamazoo, Medieval Institute Publications (Late Tudor and Stuart Drama: Gender, Performance, and Material Culture), 2019, x + 263 p.
      Compte rendu: Ruth Evans, dans The Medieval Review, 21.10.05, 2021. [www]
    • Prosser, Eleanor, Drama and Religion in the English Mystery Plays, Stanford, Stanford University Press, 1961.
    • Robinson, J. W., Studies in Fifteenth-Century Stagecraft, Kalamazoo, Medieval Institute Publications, Western Michigan University, Western Michigan University (Early Art, Drama, and Music Monograph Series, 14), 1991, xiv + 246 p. + [16] p. de pl.
    • Rogerson, Margaret, « Play production in medieval York », Arts, 14, 1989, p. 38-45. [www]
    • Rossiter, A. P. English Drama: From Early Times to the Elizabethans, London, Hutchison, 1958.
    • Salter, F. M., Medieval Drama in Chester, Toronto, University of Toronto Press, 1955.
    • Sheingorn, Pamela, « Typology and the teaching of medieval English drama », Approches to Teaching Medieval English Drama, éd. Richard K. Emmerson, New York, MLA Press, 1990, p. 90-100.
    • Spinrad, Phoebe S., The Summons of Death on the Medieval and Renaissance English Stage, Colombus, Ohio State University Press, 1987, xii + 334 p. [OSUP]
    • Steenbrugge, Charlotte, Drama and Sermon in Late Medieval England: Performance, Authority, and Devotion. Early Drama, Art and Music, Kalamazoo, Medieval Institute Publications, 2017, xviii + 173 p.
      Compte rendu: Susan Nakley, dans The Medieval Review, 19.02.03, 2019. [www]
    • Stevens, Martin, Four Middle English Mvstery Cycles, Princeton, Princeton University Press, 1987.
    • Stevens, Martin, « Herod as carnival king in the medieval biblical drama », Mediaevalia, 18, 1994, p. 43-66.
    • Taylor, Jérome, et Alan H. Nelson, éd., Medieval English Drama: Essays Critical and Contextual, Chicago, Chicago University Press, 1972.
    • Taylor, Christopher, « The once and future Herod: vernacular typology and the unfolding of Middle English cycle drama », New Medieval Literatures, 15, 2013, p. 119-148. [www] DOI: 10.1484/J.NML.5.103452
    • Twycross, Meg, « The theatricality of medieval English plays », The Cambridge Companion to Medieval English Theatre, éd. Richard Beadle et Alan J. Fletcher, Cambridge University Press, 2008, p. 26-74.
    • Twycross, Meg, et Sarah Carpenter, « Masks in medieval theatre: the mystery plays », Medieval English Theatre, 3:1, 1981, p. 7-44.
    • Wickham, Glyrme, Early English Stages: 1300-1600, London, Routledge and Kegan Paul; New York, Columbia University Press, 1959-1981, 3 t.
    • Wickham, Glyrme, The Medieval Stage, 3rd ed., Cambridge, Cambridge University Press, 1987.
    • Williams, Arnold C., The Drama of Medieval England, East Lansing, Michigan State University Press, 1961.
    • Williams, Arnold, « Typology and the cycle plays: some criteria », Speculum, 43, 1968, p. 677-684.
    • Woolf, Rosemary, « The effect of typology on the English medieval plays of Abraham and Isaac », Speculum, 32, 1957, p. 805-825.
    • Woolf, Rosemary, The English Mystery Plays, Berkeley, University of California Press, 1974.
    • Zandvoort, R. W., « The messenger in the early English drama », English Studies, 3, 1912, p. 105.
Permalien: https://arlima.net/no/4022


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Rédaction: Laurent Brun
Dernière mise à jour: 4 février 2022