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Théâtre anglais du Moyen Âge

Genres théâtraux


  • Répertoires bibliographiques
    • DuBruck, Edelgard E., « The current state of research on late-medieval drama: 2004–2005: survey, bibliography and reviews », Fifteenth-Century Studies, 31, 2005, p. 1-30.
  • Recueils
    • English Nativity Plays, edited with introduction, notes, and glossary by Samuel B. Hemingway, New York, Holt (Yale Studies in English, 38), 1909, [v] + xlviii + 319 p. [HT] [IA: ex. 1, ex. 2]
      • English Nativity Plays, edited with introduction, notes, and glossary by Samuel B. Hemingway, New York, Russell and Russell, 1964, [v] + xlviii + 319 p. [IA]
  • Études

    • Beadle, Richard, éd., The Cambridge Companion to Medieval English Theatre, Cambridge, Cambridge University Press, 1994.
    • Campbell, Eva M., Satire in the Early English Drama, 2nd ed., Columbus (Ohio), Heer, 1974.
    • Campbell, Thomas, « Liturgy and drama: recent approaches to medieval theatre », Theatre Journal, 33, 1981, p. 289-301.
    • Clopper, Lawrence M., Drama, Play, and Game: English Festive Culture in the Medieval and Early Modern Period, Chicago et London, University of Chicago Press, 2001, xi + 343 p.
    • Craig, Hardin, English Religious Drama of the Middle Ages, Oxford, Oxford University Press, 1955.
    • Crane, Christopher, « Superior incongruity: derisive and sympathetic comedy in Middle English drama and homiletic exempla », Medieval English Comedy, éd. Sandra M. Hordis et Paul Hardwick, Turnhout, Brepols, 2007, p. 31-60.
    • del Villar, Mary, « Some approaches to the medieval English saints' play », RQRD, 15-16, 1972-1973, p. 83-91.
    • Dennis, Valerie Ann, The Divine is in the Details: Changing Representations of God in Medieval and Early Modern English Drama, Ph. D. dissertation, University of California, Davis, 2012, vii + 243 p. [PQ]
    • Dunlop, Fiona S., The Late Medieval Interlude: The Drama of Youth and Aristocratic Masculinity, York, York Medieval Press, 2007, viii + 141 p.
      Compte rendu: John T. Sebastian, dans The Medieval Review, 08.06.22. [www]
    • Emmerson, Richard K., éd., Approches to Teaching Medieval English Drama, New York, MLA Press (Approaches to Teaching World Literature, 29), 1990.
    • Enders, Jody, The Medieval Theater of Cruelty, Ithaca, Cornell University Press, 1999.
    • Fitzgerald, Christina, The Drama of Masculinity and Medieval English Guild Culture, New York, Palgrave, 2007.
    • Fries, Maureen, « The evolution of Eve in medieval French and English religious drama », Studies in Philology, 99:1, 2002, p. 1-16. []
    • Gardiner, Harold C., Mysteries’ End: An Investigation of the Last Days of the Medieval Religious Stage, New Haven, Yale University Press, 1946.
    • Gibson, Gail McMurray, The Theater of Devotion: East Anglian Drama and Society in the Late Middle Ages, Chicago, University of Chicago Press, 1989.
    • Greg, Walter Wilson, « Bibliographical and textual problems of the English miracle plays », The Library, 3e s., 5, 1914.
    • Gusick, Barbara I., « Christ's healing of the lame man in the York Cycle's Entry into Jerusalem: interpretive challenges for the newly healed », Fifteenth-Century Studies, 31, 2005, p. 80-105.
    • Hill-Vásquez, Heather, Sacred Players: The Politics of Response in the Middle English Religious Drama, Washington, Catholic University of America Press, 2007, x + 231 p.
      Compte rendu: Laura Iseppi, dans The Medieval Review, 08.05.10. [www]
    • Hussey, S. S., « "How many Herods in the Middle English drama? », Neophilologus, 48, 1964, p. 252-259.
    • Ingram, R., « The use of music in English miracle plays », Anglia, 75, 1957, p. 55-76.
    • McGavin, John, « Performing communities: civic religious drama », The Oxford Handbook of Medieval Literature in English, éd. Elaine Treharne et Greg Walker, Oxford, Oxford University Press, 2010, p. 200-220.
    • Mello, M. Barbara, From the Hellmouth to the Witch's Cauldron: Cooking and Feeding Evil on the Early Modern Stage, Ph. D. dissertation, University of Southern California, 2012, ix + 169 p. [PQ]
    • Myers, Walters, « Typology and the audience of the English cycle plays », Typology and English Medieval Literature, éd. Hugh T. Keenan, New York, AMS Press, 1992, p. 261-274.
    • Peacock, Matthew, « Towneley, Widkirk, or Wakefield Plays? », Yorkshire Archaelogical Journal, 15, 1898-1899, p. 94-103.
    • Prosser, Eleanor, Drama and Religion in the English Mystery Plays, Stanford, Stanford University Press, 1961.
    • Robinson, J. W., Studies in Fifteenth-Century Stagecraft, Kalamazoo, Medieval Institute Publications, Western Michigan University (Early Art, Drama, and Music Monograph Series, 14), 1991, xiv + 246 p.
    • Rogerson, Margaret, « Play production in medieval York », Arts, 14, 1989, p. 38-45. [www]
    • Rossiter, A. P. English Drama: From Early Times to the Elizabethans, London, Hutchison, 1958.
    • Salter, F. M., Medieval Drama in Chester, Toronto, University of Toronto Press, 1955.
    • Sheingorn, Pamela, « Typology and the teaching of medieval English drama », Approches to Teaching Medieval English Drama, éd. Richard K. Emmerson, New York, MLA Press, 1990, p. 90-100.
    • Spinrad, Phoebe S., The Summons of Death on the Medieval and Renaissance English Stage, Colombus, Ohio State University Press, 1987, xii + 334 p. [OSUP]
    • Stevens, Martin, Four Middle English Mvstery Cycles, Princeton, Princeton University Press, 1987.
    • Stevens, Martin, « Herod as carnival king in the medieval biblical drama », Mediaevalia, 18, 1994, p. 43-66.
    • Taylor, Jérome, et Alan H. Nelson, éd., Medieval English Drama: Essays Critical and Contextual, Chicago, Chicago University Press, 1972.
    • Taylor, Christopher, « The once and future Herod: vernacular typology and the unfolding of Middle English cycle drama », New Medieval Literatures, 15, 2013, p. 119-148. DOI: 10.1484/J.NML.5.103452
    • Twycross, Meg, et Sarah Carpenter, « Masks in medieval theatre: the mystery plays », Medieval English Theatre, 3:1, 1981, p. 7-44.
    • Wickham, Glyrme, Early English Stages: 1300-1600, London, Routledge and Kegan Paul; New York, Columbia University Press, 1959-1981, 3 t.
    • Wickham, Glyrme, The Medieval Stage, 3rd ed., Cambridge, Cambridge University Press, 1987.
    • Williams, Arnold C., The Drama of Medieval England, East Lansing, Michigan State University Press, 1961.
    • Williams, Arnold, « Typology and the cycle plays: some criteria », Speculum, 43, 1968, p. 677-684.
    • Woolf, Rosemary, « The effect of typology on the English medieval plays of Abraham and Isaac », Speculum, 32, 1957, p. 805-825.
    • Woolf, Rosemary, The English Mystery Plays, Berkeley, University of California Press, 1974.
    • Zandvoort, R. W., « The messenger in the early English drama », English Studies, 3, 1912, p. 105.
Rédaction: Laurent Brun
Dernière mise à jour: 21 septembre 2017